Most often in significant houses the coloring of floors comes following that of walls. The fact that in momentous houses, costly and complicated floors of mosaic or of inlaid wood are used, make it essential to consider the effect of basic or natural colors of such floors, in connection with practical color-schemes in rooms.

Mosaic floors, being as a rule restricted to halls in private houses, require extra care and expensive wood floors are almost of necessity confined to the yellows of the natural woods. These yellows range from pale buff to olive, plus are not inharmonious with any other shade. Though they often lack enough strength or concentration to hold their own luster with stronger hues of walls and furniture.

When you go for a pizza it doesn't taste well unless the crust is perfectly done no matter even if the toppings are simply mouthwatering. Similarly when it comes to the houses the floor coverings or wood types in interior design serve the same purpose as the crust and the colors have to thus be chosen properly. However, the flaw of color in hard-wood floors must be recognized as a drawback. The floors should surely be able to grasp the room in color as well as in structure. It must be the strongest shade in the room. This makes the color selection of the floor a trickier problem, or one in need of more thought than is usually hypothetical. It also explains why luminous rooms are more triumphant with hard-wood floors than average or very dark ones.

There are a lot of reasons, hygienic as well as financial, that elucidate why hard-wood floors ought not to be covered in normal dwelling-houses. When the pores of the wood are thoroughly filled, and the exterior is also kept well polished, it not only becomes superior in quality, but as a visual effect too, it reflects adjacent tints, and does much to create for lack of concerned or related color. Yet it will be established that in almost every case of glorious color-treatment in a room, impression must be added by presenting the floor-covering to a sense of completeness and fulfillment which is the result of a victorious scheme of decoration.

The easiest way of doing this is to wrap enough of the room with rugs, that serve to be a magnet for the eye, and reinstate the equilibrium lost by want of strength of color in the wood. From time to time, one or two small rugs will do this, and these may be of roughly any tint which includes the universal one of the room. When the sumptuousness of the room requires more enclosed space, it is better to use one rug of a larger size than several small and incompatible ones. Of course in this the general tone of the rug must be elected for its empathy to the tone of the room, but that resemblance secured, any variations of color happening in the design are appropriate to add to the universal effect