The first principle of speed on the classical guitar is the fact that whole pieces are not fast. Speed in compositions comes in bursts. This is the basic tenet of comparison. A piece played Largo might have Andante passages that are fast. But these Andante passages are slow if compared to a composition that is presto or prestissimo. So be aware that speed is not necessarily how many notes a second but more a factor of notes and phrases in comparison to each other.
Practice, Practice, Practice
You already know that practice is critical to speed. You have to practice your scales just for the practice, and you have to practice a wide variety of scales. Classical Guitar is like every other form of kinesthetic art; as you practice the motions you make will settle into deeper regions of your brain and your body will learn how to do it without you even thinking about it. With practice you will be able to blast out very fast scales that will amaze you.
Some Practical Advice
Now, all of that sounds good but what about some practical advice on how to get faster?
This part is easy, and the single best thing you can do to improve your speed is to make a conscious attempt at finger crossing patterns with your right hand. This is usually the biggest challenge to playing speed. Practice, on a daily basis if possible, crossing string patterns.
What are string crossing patterns?
This is the way you pick across the six strings with your right hand. If you are playing a scale and you transition from string to string with the right hand you will use a pattern such as playing the first string with your index finger then playing the second string with your middle finger. On to the third string you are back to your index finger and for the fourth string again back to the middle finger.
Avoid the same crossing patterns and create new ones
As you become aware of your finger crossing you will see that you have very distinct patterns that you use. You should create and practice new patterns that are not comfortable for you. This truly will dramatically increase your speed. A good example of a new pattern you might try is to switch your starting finger. When practicing scales you probably start the first note with your right hand index finger. And as you progress through the scale you cross scales in the same pattern. You should try starting the scale with your middle finger. This will totally change the crossing pattern you use for playing the scale and once you get a bit of practice like this your speed will increase significantly. Vary this crossing pattern in as many ways as you can and make sure you also do double strikes where you cross using the same finger.
To improve your playing speed on the classical guitar you have to practice and you have to bump yourself out of your normal routines of playing. But with some conscious effort you can significantly improve your speed.
How To Restring Classical Guitar
Nowadays I have developed this skill and I love to improvise in the style of composers like Sor, Tarrega, Paganini or others or just trying to find myself somewhere among the notes. These special moments are a form of meditation. They clear my mind and also helps me as a composer to stimulate my creative abilities.
The most important reason for learning classical guitar improvisation is that it's fun!
If you learn classical guitar improvisation it will benefit you in many other ways too:
1. It will be easier for you to memorize classical guitar sheet music.
2. You will find it easier to compose your own guitar pieces in a classical guitar style.
3. You can make up your own techniqal exercises on your guitar on the go.
4. You will understand your guitar better.
There are many ways to develop classical guitar improvisation. How?
You can start with major scales, experimenting with easy chords, or easy classical guitar pieces. The most basic requisite is that you want to learn this art and with this desire you will find ways to practice classical guitar improvisation in all your guitar playing.
I will just mention using classical guitar pieces in this article. But how do you begin?
May I suggest that you begin with an easy melody with just one voice or maybe a two voice piece with bass notes on open strings. Learn a couple of bars by heart and play the melody over and over again and try to change the melody slightly without losing the classical touch.
The ultimate exercise is to use advanced classical guitar solos.
If you think about it you will realize that classical guitar pieces are filled with wonderful licks, more or less complicated.
These licks can be developed and added upon to give you material that will help you developing your improvisational skills.
For example, take a two bar passage in a classical guitar piece that you like and practice it until you master it and then memorize it.
Now you can play around with the passage, break it down, change it, analyze it and so on. If you want to improve as an improvisational guitarist and musician you can regard classical guitar pieces as collections of very musical licks just waiting to be used.
I hope these hints will motivate you to reap the benefits from improvising the classical guitar way.
Both Will Kalif & Peter Edvinsson are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
Peter Edvinsson has sinced written about articles on various topics from Guide Guitar, Programming and Guide Guitar. Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and learn to play resources at. Peter Edvinsson's top article generates over 135000 views. Bookmark Peter Edvinsson to your Favourites.
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