The power of the computer revolution is simple: once you convert real-world objects into bits and bytes, anything is possible. Nowhere is this more apparent than in photography. Digital photography represents the latest step in a technological revolution that began almost two centuries ago with Louis Daguerre's silver chloride prints. Daguerre amazed the world by fixing the light from a pinhole camera onto a piece of glass, thereby preserving a moment in time for an eternity.
Today an inexpensive digital camera can transform that light into electrical impulses with accuracy and brilliance that even film can't match. It can store hundreds of images on a sliver of silicon no bigger than your thumbnail. Those images can easily be sent across the country in seconds, be shared with hundreds of people at once, and even be modified to create an utterly new reality. The tools and skills necessary to do all this are within the reach of nearly anyone. You hold in your hands the book that will unlock those skills for you.
It's fitting that the author himself has traveled a similar path. Mikkel Aaland has worked as an itinerant photographer, making pictures much as his 19th-century counterparts must have, in a makeshift studio-on-wheels, capturing images of anyone with a few dollars to spare. After nine years on the road, the result was his 1981 book, County Fair Portraits. Shortly thereafter, another legend, Ansel Adams, told Mikkel that if he were beginning all over again he'd be shooting digital. Mikkel took the great man at his word and became one of the first to use, and write about, digital photography
When Photoshop was first released in 1990, a Michel reviewed it. In 1992, he wrote Digital Photography, one of the earliest books published on the subject, and he has written many more since. He has worked as a professional photographer, using top-of-the-line digital equipment, and as a proud husband and father he has captured his own life with the same consumer-grade cameras the rest of us use. He's also been teaching digital techniques for the past several years on my TV, radio, and online shows. There is no better guide to the magical transformation of light and dark into bits and bytes
Photography, from the Greek for writing in light, has rewritten our notion of time and history. Digital photography is reworking our notion of reality itself. One of the great technological innovations of the 19th century is once again leading the way in the 21st. Here is your chance to be a part of the revolution'to start Shooting Digital.
Digital Photography For Beginners
New photographers taking up digital photography often seem to follow the same path and hit the same snags. They buy the best digital camera they can afford (possibly their first digital SLR), after lots of research and discussion with camera salesmen. They promise themselves that they will really learn how to use the features of the camera and start taking some great photos, not just snapshots. After all, it doesn't cost anything to practice and you can delete your mistakes, so how can you fail?
Then they try to read the manual.
After a brave effort of trying to wade through pages of poorly written jargon, most people find the task too demanding. They switch the camera to automatic, and that is where it stays.
Does this sound like you? Don't worry, you are not alone. But it is worth perservering, because taking great photos is immensely satisfying, and allows you to get the most out of your digital camera investment. Maybe you just need to approach it a different way.
Why do I feel it is so important to use the manual settings on your digital camera? Because as advanced as your digital camera may be, it cannot always know how you want your photo to look. Let's take a look at three examples.
Example #1. Often you can make your subject really stand out by shooting it in the sun, with the background in the shade. This is a great technique for flowers, people, wildlife...all types of subjects. However, with two different levels of light in the one picture, it can be tricky to get the exposure just right. If you leave the camera on automatic, it might set the exposure for the background, leaving the sunlit subject badly overexposed. So you get a perfectly exposed background (which you don't care about) and a burnt-out subject.
Example #2. Some subjects can only be taken in very low levels of light. Sunsets and rainforests are two simple examples that come to mind. In these situations, the light is only a fraction of normal daylight brightness. With your camera on automatic, it could set a shutter speed so slow, your photos will be a complete blur. Of course you can counter this by using a tripod, but in my experience people who rely on automatic settings usually don't keep track of what their camera is doing.
Example #3. Action photos, or any photo with a moving subject, can easily be ruined by using the wrong shutter speed. Whether you want to freeze a moving subject (kids at a school sports carnival) or slow the speed to create a motion effect (waterfalls), your camera does not know how you want your picture to look. When you know how to set your own shutter speeds, and balance them with the correct aperture and ISO settings, you will get the result you want almost every time.
Learning the essential skills of photography is not as difficult as it seems. The most common mistake is to believe the manual that comes with the camera will tell you everything you need to know about photography. The trouble is, that is not what it is designed to do. Your manual is there to tell you how to adjust the settings for your camera, but it is not so good at explaining what the settings are for. So it will tell you how to operate your camera, but not how to be a better photographer.
A much better approach is to find a good, basic beginner's guide that explains the fundamentals of good photography. There are plenty of books, ebooks and workshops available. Don't get too involved at first. It may seem that there are a million things to learn, but you don't need to go that far. If you can understand aperture, shutter speed, depth of field and ISO, you will know almost everything you need.
After that, it all comes down to patience and practice. With the right approach, and less reliance on a poorly-written manual, your skills will improve in no time. Like I said at the beginning, it doesn't cost anything to practice and you can delete your mistakes, so how can you fail?
Both Komail Noori & Andrew Goodall are contributors for EditorialToday. The above articles have been edited for relevancy and timeliness. All write-ups, reviews, tips and guides published by EditorialToday.com and its partners or affiliates are for informational purposes only. They should not be used for any legal or any other type of advice. We do not endorse any author, contributor, writer or article posted by our team.
Andrew Goodall has sinced written about articles on various topics from Digital Photography, Photography and Digital Photography. Aperture, shutter speed, depth of field, ISO, composition and lighting...these are the essential skills of good photography, and they are all made simple in Andrew Goodall's ebook "Photography In Plain English." Check it out at. Andrew Goodall's top article generates over 40500 views. Bookmark Andrew Goodall to your Favourites.
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