Existentialists such as Jean Paul Sartre, would argue that we do, indeed have free will. Central to the vision of existentialists is the axiom "Existence precedes essence," and it is out of the choices we make that our essence is created. The famed novelist Theodore Dreiser has put the oppositions position very well in metaphorical terms by likening a life to a leaf that is pushed through the air by the wind blowing behind it, with no say in which direction it will go.
From a theological point of view we are faced with the conundrum that If God is omniscient, then he must know in advance what we are going to do. Yet, If God has such knowledge, then how can it be that we humans are endowed with free will, since the Creator is prescient about our behavior before we have carried it out? Wouldn't our behavior then be predetermined? This argument, of course, is predicated upon the existence of God, a faith that the vast majority of people in the world embrace. Yet many of the world's religions ascribe to a belief in free will. Does this pose a baffling inconsistency?
If we accept a deterministic premise, such that our behavior is governed by a chain of cause and effect connections totally beyond our control, then it would seem to follow that no one can logically be held responsible for his actions. Moving into a legal arena for illustrative purposes, if a man commits a murder, under the assumption of determinism, he cannot be held responsible nor can intentionality be ascribed to him. After all, under such circumstances, he had no choice or alternative but to act as he did. Therefore, in a court of law, a jury might accept that he is guilty in the sense that he committed the act in question, but it should recommend that he not be punished for something he had absolutely no control over. This is to say that the jury should make a rational decision, but how can they do this if the members have no free will? The jury is bound by the same psychological laws as the defendant, hence, determinism demands that its members arrive at whatever verdict they come up with, including subsequent recommendations for sentencing. Yet this very viewpoint undermines the concept that the jury is to engage in rational discussion in order to make a free and logical choice regarding the guilt or innocence of the defendant, taking into account whether the prosecution has proven its case "beyond a reasonable doubt." Further, the whole structure of the basis for morality is shattered. Philosophically, determinism leads us into a labyrinth of frozen behaviors: past, present, and future.
Who amongst us is not familiar with the early passage from The Declaration of Independence, which states that we have "... certain unalienable Rights, that among these are Life, Liberty, and the Pursuit of Happiness...."? Without the Founding Fathers having made the assumption of free will, these words would be meaningless. I am not arguing that this assumption proves the existence of free will, only that the entire substratum of The Declaration of Independence is contingent upon it.
Let's assume that global warming is brought about in large measure by the actions of denizens of the world. To alter the course of approaching catastrophe, the inhabitants of earth must choose to change their behaviors, yet if they have no choice but to act as they do, then we are faced with a hopeless dilemma. On the other hand, if we have free will and our behavior is not caused by forces beyond our control, are we then led to conclude that there is a randomness and disorder in the universe permitting people do anything they choose? This would hardly seem to be a tenable proposition. Whether we come down on the side of free will or determinism, we enter a cul-de-sac of confusion. Is there a way out?
There are multiple variables that influence out behavior: genetics, neurochemistry, environment, demographics, and geography, along with sociopolitical and economic conditions. There is no question but that these elements impose restrictions on the framework of our choices. Yet left with a philosophy of determinism alone, we are dealing with robots or machines and nothing we say or do really matters. The weight of determinism crumbles character, integrity, morality, emotion, and reason. The mark of a mature mind is the ability to tolerate and live with irony, ambiguity, paradox and inconsistency. I believe that despite the many influences limiting our free will, it is that very ability, what we do with it, and the personal responsibility it carries that serve as the cornerstone of a civilized society and a life well lived or not. If necessary, one may think of free will as the "cause" of decisions, choices, and actions.
It is indisputable that, barring certain pathological states, we all have the inner experience of possessing and exercising free will. Is that an illusion? If so, it is a grand illusion; one that makes a difference, for in itself it influences the choices we make.
Free Will Vs Determinism
Poems can be constructed in either free verse or formal verse. Most poets today write free verse which is open to pattern and is recognized as nonconforming and rhyme less verse. Metrical verse relies on stanza length combined with meter or rhyme patterns distinct to itself. There are several traditional commonly-known forms of poetry.
Haiku, a form of Japanese descent, consists of three lines of five, seven, and five syllables respectively, and traditionally deals with nature subjects.
A sonnet, whether of English or Italian rhyming scheme, is a single- or two-stanza lyric poem containing fourteen lines written in iambic pentameter. Shakespeare's love sonnets are well-known.
Most journals of literary note do not embrace traditional rhyme and form poetry, preferring the more commonly used free verse which is not bound by any rules of meter and rhyme. Unless you're the Earl of Rochester or Alexander Pope, it would be best to stick with the unconventional verse. Here are some traditional types of poetry and free forms:
Sestina - The sestina is a six 6-line stanzas followed by a 3-line stanza. There is a predetermined pattern in that the same six words are repeated at the end of lines throughout the poem. The last word in the last line of one stanza becomes the last word of the first line in the next stanza. Then rounding it off with the final 3-line stanza, all six end words appear. You may want to read some of Sylvia Plath's sestinas to familiarize yourself with this form.
Two forms that are closely related to each other are the villanelle and the pantoum. The villanelle, a nineteen-line poem, is made up of five 3-line stanzas and one 4-line stanza (or quatrain) at the end of the poem. Alternating between the ends of each tercet (3-line stanza) there are two refrains that eventually end up forming the last two lines of the quatrain. Dylan Thomas's "Do Not Go Gentle Into That Good Night" is an example of a villanelle. The pantoum is comprised totally of quatrains. In each stanza the second and fourth lines are repeated in the first and third lines of the following stanza, until the final stanza where the first line is the poem's first and the second line is the poem's third line. "Evening Harmony" by Charles Baudelaire is an example of a pantoum.
Free verse does come in various forms, the most common being driven by cadence in which common language rhythm is substituted for regular metrical pattern, which can be seen in the works of Walt Whitman and the King James Bible version of The Psalms and The Song of Solomon.
A second type of free verse is free iambic verse which was used by such poets as T.S. Eliot and W.H. Auden.
A third form is the free verse proper, the most used form, where the inconsistency is at the center of the poem. There is no set metrical rhyme or patterns of meter and rhythm. Unlike traditional verse, free form is not constrained by the rules regulating syllables in stanzas.
There is often confusion as to what is meant by visual poetry. If you have written a very descriptive poem about a whale, it may be a wonderful free verse poem, but not visual. If you have written the same poem and the presentation of the piece is in the shape of a whale, you have written a visual poem.
If you'd like further information about poetry terms, take a look at John Drury's "The Poetry Dictionary." It defines key terms that should be in the vocabulary of every poet. Above all, keep writing! Poetry provides a wonderful outlet for observation, exploration, and healing.
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