Have you ever play or sing with a jam band? A jam band is a makeshift band and the musicians probably played together for the first time unrehearsed either in an impromptu performance or in a Jam music bar. Jam bands usually play jazz or blues both these genre of music have fixed music chord progressions and free form personal interpretation can be weaved into the chord sequence.
Since most jam bands play to a small audience, there is usually no sound technician to balance the sound produced by the bands and thus the musicians have to be 'sound sensitive' and able to detect unbalanced sounds and adjust their volumes and timbre themselves.
So how to play good and balanced music when you play with a jam band? Here are some pointers.
a) Listen to the lead singer
If you cannot hear the singer's voice and the lyrics, then the musicians should turn down the volume of their instruments immediately so that the singer can be heard clearly by the audience. If a fellow musician is unaware, do not be afraid to remind him to play softer. Even if the singer is too soft and shy, it is always the duty of all musicians to play softer so that the singer can be heard.
b) Be attentive to the song
Certain parts of a song are sung softly and sweetly perhaps the introduction, or the first verse, or at the emotional part. The singer will usually take the lead. If these parts of the song are supposed to be quieter, then play softly. If the chorus is more energetic, then play louder during the chorus. But once the next verse arrives, we tone down for the softer verse.
Whenever we have such alternating dynamics of loud and soft, the listener will be captivated, moved and thus sing with more emotions and feelings. There will thus be 'expression' in the music, as opposed to having just one full volume all the way. If you listen and pay attention to the whole performance, you will automatically know when to go softer and when to let down your hair and rock away.
c) Bass player should listen to the volume of the kick drum
There is always a tendency for bassist to play too loud. The volume of the bass guitar should be at the same volume as the kick drum. If you cannot hear the kick drum, then bring down the volume of the bass.
d) Pianist must take the lead role in controlling musical dynamics
The pianist should listen attentively to the singer and know what kind of style and emotion the singer wants to portray in the songs. When the pianist softens, then the drummer, guitarist and bassist should follow suit. When the pianist starts to crescendo, then the rest of the band can rock and roll along.
e) Singer should feel free to guide the band and tell them to play softer, louder, faster or slower. The musicians must remember that your main job is to back the singer, to help make the singer sound good. So please oblige the singer while on stage and let him have it his way. Do not oppose the singer no matter how bad he or she is. If a musician wants to take the limelight and be a star, then wait for your turn to do your solo.
f) Listen to the soloist
If a soloist is playing, all other instruments should not be louder such that the soloist is drowned. When the soloist is soloing, do not compete with him by playing all sorts of fancy stuff on your instrument that is totally unrelated to his solo. Just play some back up chords will do.
g) Give everyone a chance to solo
One of the reasons why many musicians do not play dynamically in a jam band is because they are eager to show off and be heard. We as musicians all want to be heard and noticed, so there is a tendency for us to make sure that we are loud so that the whole world can hear us. I believe one reason is because the musicians are not given ample opportunity to solo and be a star of the moment.
Perhaps this is the reason why jazz musicians seldom have problems with dynamics. Jazz musicians always seem to know when to play soft, when to play simple, when to play harder etc. This is because they have already been given ample opportunity showcase their talents during their solos so there is no more need to fight to be heard and noticed.
Keep these pointers in mind when you play or sing with a jam band the next time and have a rollicking good time.
Playing Music For Change
Last night, whilst lounging on my sofa with a friend watching the television, I flicked through the channels to stumble across a woman playing the piano as if it was as easy as a simple stroll in the park. The sound that came out of her carefree fast-motioned fingers, made me wonder how it is possible to have both of your hands work on two different chords at different ends of the piano. This then made me realise that it is exactly what I do when I play my bass guitar.
When watching this woman play, I found myself in a deep discussion with my friend about whether it is a natural talent towards playing music or whether it truly is a long time of practising to make perfection. I refuse to believe that every time I walk into a guitar shop that every single person in there looking at guitars are 'naturally' gifted in music or have a 'natural' talent to music. Similar to the woman playing the piano, it would have taken many years of practise to be as good as that.
On my last visit to my local guitar shop, to pick up a tabs book, I found myself talking to someone else about how they had never played a piece of music by 'The Doors'. It just so happened this said shop supplied a tabs book for that and this person blew me away. He simple perched the book against the wall, sat down with his guitar and started to play like true professional no problems, just from reading the tablatures.
Amazing I thought, but then when I think about this more logically, this man has had twenty years more experience in playing the guitar than I had playing my bass. Therefore, after years of experience he was able to play anything for the first almost perfectly. It would appear that this man could play any piece of music set down upon him; therefore, his dedication to playing the guitar was made prominent through his performance in the guitar shop.
Musicians, artists, writers, performers, dancers and people within the creative industry will know all too well that to become good at something you have to practise to perfection, or practise until you never get it wrong. The same applies for any profession or hobby; this includes people in sporting events or even in the entertainment industry. To truly master playing a musical instrument, one will need to make more than just a few visits to the music or guitar shop buying books and accessories.
A lot of this should be mirrored by the dedication to practising and actually playing the instrument. The first time I had begun playing my bass was not that long ago, but I remember picking it up all excited and eager to play only to find that I had no idea what I was doing. The first thing I wanted to do was learn a few bass tunes to some popular rock music. Whilst doing this I decided to learn a few impressive tricks and techniques that would help me to play better.
Those wanting to learn to play an instrument will need to begin finding their feet in learning to play and try to play a song that interests them. This will mean plenty of time alone going over the same tune again and again. It will be frustrating, painful and even laborious at time, but you will very quickly adjust to this and once you see the improvements in your playing you will never want to stop. Often, you will find when playing the guitar, you may improvise and create your own tunes, this is a good sign of progress and it is worth recording these if you can.
When playing in front of people, your nerves will be playing topsy-turvy in the pit of your stomach, even if the audience is your family members! To people who do not know how to play a musical instrument, you will appear a musical genius with a 'natural' flair for music.
Whether it is something that you are born with or have a keen interest in, nothing can rule out that practise is the key. It is true that some people are gifted in being able to learn faster than others are able to, but whatever the rate of learning power you have with practise comes familiarity, clarity and perfection. Therefore, the key to becoming a good musician is to practise, practise and practise some more.
Anna Stenning has sinced written about articles on various topics from computers and the internet, Management and Wedding Gifts. Anna Stenning regularly visits her guitar shop to maintain and keep her bass guitar in good condition, as well as pick up DVD tutorials and tablature books.. Anna Stenning's top article generates over 4090000 views. Bookmark Anna Stenning to your Favourites.
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