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Usborne Touchy Feely Books

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In a previous article, I gave an overview of VAK (recap: these are the visual, auditory and kinesthetic representational systems) and it's use in persuasion and gaining rapport. I also went into more detail about the 'V' (visual) in VAK in another article and obviously, with a title like having to do with touchy feely, I've moved on to the 'K' part, kinesthetic.



To gain rapport we have to learn how people construct and make their reality. And we have to learn how they interact with that reality. For kinesthetic oriented people, that interaction is through touch and feel.

The way you know that you're interacting with a kinesthetic or feeling oriented person is that they tend to grasp for the way in which things are going to come across. They'll want to bend with you and walk, step by step. They'll often want to stick with things and grasp a hold of the kinds of things you're going over with them. Sometimes they'll even strain and work hard to tackle the task at hand. This is what kinesthetic oriented people do and sometimes they'll even touch their arm or their leg and rub it while they talk. They're kind of getting in touch with the way they feel about what's going on. They also sometimes talk about balance and merging together and catching up.

A perfect example, and the epitome of kinesthesia, is Bill Clinton's famous, "I feel your pain" quote, made more notorious by his predilections.

In contrast to a visual person who speaks quickly, staccato even, and an auditory person who may speak sing songy (or in a flat monotone), the kinesthetic person will speak much slower as they struggle to put into words what they are thinking.

Kinesthetic people use touch and feel words covering the tactile sense of feeling-hot, cold, firm, a firm touch, vibration-as well as the emotional sense of feeling-love, rage, joy, anger.

If someone is standing so close to you so as to touch you, they are likely to be kinesthetically oriented. These people do not mind being touched (within reason) and a pat on the shoulder or arm, or a hug, will please them. Standing close to them is never a problem as they are not creating visual images which they project between you and them, as visually oriented people are.

Kinesthetic people often struggle for their words. They . . .draw things out. . . and are really. . . working at what they are going to say.

Whereas visually oriented people look up, auditory people look side to side, kinesthetic people generally look down.

Along these lines, but as sort of a side note, I read a story online not too long ago about a junior high school student in Virginia who had been cited for two infractions by his school for hugging a friend. Why? His school has a 'no physical contact' policy. This includes no handshakes, no high fives, no pats on the back, no hand holding-no touching of any sort.

My initial thought was, wow, that's really strange. Then I thought of the kinesthetic kids who might be going to that school and what a disservice is being done to them. I mean, I understand the need for clear boundaries, but no physical contact whatsoever between friends? Seems like a dangerous road to travel down.

Coming soon: Auditory Adventures.
Usborne Touchy Feely Books
In previous articles I described an overview of the representational systems of communication: visual, auditory and kinesthetic, and the benefit of knowing what these systems are as they relate to rapport. In another article, I went into more detail about the visual aspect and here we are dealing with kinesthetic language, the feeling words that people use.

In our quest to gain rapport we continue to build upon our ability to learn how people construct their realities and how they interact with reality. Kinesthetic people interact through touch and feel.

How do you know this about a person? Like right up front, how will you be able to tell a kinesthetic person right off the bat? Well, they tend to grasp for the way in which they describe things and reach for the words to make things concrete for you. They are natural at mirroring behavior oftentimes walking in step with you or bending when you bend, or blinking when you blink. They stick with things, wanting to touch them, grasping hold of them to get a sense of their texture. They may be born touchers--massage therapists or sculptors. They will even touch their own arms or legs and may rub it as they speak. This is the way in which they are getting in touch with how they feel about what is happening around them.

A good example of a kinesthetic person is Bill Clinton. Remember his famous (infamous) quote, "I feel your pain"? That is a prime example of kinesthetic language.

In contrast to a visual person who speaks quickly, staccato even, and an auditory person who may speak sing songy (or in a flat monotone), the kinesthetic person will speak much slower as they struggle to put into words what they are thinking.

Kinesthetic people obviously use kinesthetic words. These cover the tactile sense of feeling-hot, cold, firm, a firm touch, vibration-as well as the emotional sense of feeling-love, happiness, joy, anger.

Another way to determine if someone is kinesthetic is to notice how close they are to you. If they can reach out and touch you, odds are, they're kinesthetic. They love to be hugged, don't ever shirk away from physical touch, and have no problem with you being in their space because they're not creating pictures like visually oriented people are.

That's another major difference between the three groups that will help you to identify them. One of the biggest ways though, for me, is that they, struggle . . . for their words. . .

Whereas visually oriented people look up, auditory people look side to side, kinesthetic people generally look down.

As a side note, I read an article not long ago about a junior high school student in Virginia who had been cited for school infractions for hugging his friend. Outlawing physical contact, his school board has implemented a 'no physical contact' policy. No touching of any sort--no handshakes, no pats on the head, no hand holding, no high fives.

When I first read the story I thought, what a strange policy. As I delved deeper, I realized what a horrible disservice is being done to kinesthetic kids throughout that school district. Obviously, harmful touch is wrong and should be off limits, and I understand that boundaries need to be clear, but no physical contact seems like a bad road to start traveling down.

Coming soon: Auditory Adventures.
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